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La Historia de la Pagina Oficial de Thalia por Thalia.com

La Historia de la Pagina Oficial de Thalia por Thalia.com

 

Como las personas tienen diferentes epocas y vivencias tambien los hay con las paginas de internet. Varias versiones exiten de una sola pagina y Thalia.com no es la excepcion. Para los fans de Thalia nostalgicos como yo, nos encanta disfrutar de la pagina actual de Thalia.com pero tambien nos encanta recordar como fue la portada, estylo, colores, tema y fotos de Thalia en los años atras. Por eso existe esta pagina.

Thalia.com no existia en el año 1995 en los tiempos cuando el aceso al internet directamente a los hogares era limitado. Al registrarse la pagina años despues, no se inicio como website sobre Thalia Sodi. Fue pagina para un servicio llamada “Thalia Services.”

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1998

Aunque no existia Thalia.com, si existia http://www.thaliaweb.com y una cantidad de paginas de fans.

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Encuentras tu pagina?

Al ser adquirido por la administracion de Thalia Sodi, Thalia.com se convirtio en la pagina sobre la estrella:

2002

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Despues, se seguia transformando la pagina aproximadamente cada dos años con temas de su reciente trabajo musical.

2003

Thalia.com se prepara para la musica en Ingles con el disco “Thalia” lanzado en el 2003.

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2005

Thalia.com cambia con arte inspirado por dibujos y simbolos importantes para Thalia. Thalia platica de sus dibujos en su web y en el disco “Sexto Sentido.”

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2007

Thalia.com cambia en el 2007 nuevamente con diseño flash pero ahora con diferente look.

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2008

 

Thalia.com cambia y te deja elijir a que seccion entrar diciendo, “Bienvenidos! Escoge un mundo para explorar.”

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2009

Con la llegada del nuevo disco de “Primera Fila”, la pagina web tiene una nueva pagina principal. El material sigue siendo el mismo que del 2008.

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2010

Thalia.com celebra el gran triunfo que es el disco Primera Fila y cambia la portada de la pagina para celebrar el disco “Primera Fila…Un Ano Despues” lanzado en el 2010.

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2012

En Octubre 8, 2012, Thalia.com cambia una vez mas al celebrar el lanzamiento del nuevo sencillo del ultimo nuevo disco de Thalia titulado “Habitame Siempre.” El dia Viernes, Septiembre 21, 2012 se grabo el especial para Habitame Siempre en Manhattan, Nueva York para este nuevo disco donde se dio a conocer el ultimo proyecto de Thalia titulado Habitame Siempre.

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Thalia.com sigue activo con la ultima imagen de arriba. Visitalo hoy y explora el mundo oficial de Thalia por Thalia.com

 

Source: fotos de Thalia.com

Thalia & Tommy Mottola donate to Palm Beach Day Academy

Thalia & Tommy Mottola donate to Palm Beach Day Academy

“Thank you!!
Every school family is encouarged to participate in the Annual Fund, which
supports the daily operations of the school. Each child benefits directly from
the generosity of those families. The following families, listed by grade,
supported the 2010-11 Annual Fund.”

Source: Palm Beach Day Academy http://www.pbday.org/assets/Uploads/AnnReport1011Web.pdf

 

Billboard Special Feature: Stars – Mexico’s Multifaceted Superstar has Thrived Through Reinvention – Thalía

Billboard Special Feature: Stars – Mexico’s Multifaceted Superstar has Thrived Through Reinvention – Thalía

PART I of III
PART II of III
PART III of III

Mexican pop star Thalía and her 11th studio album “El Sexto Sentido” (EMI Latin) are profiled. The singer is fond of saying that she believes in intuition. She believes in “el sexto sentido”-a sixth sense. The EMI Latin album is the follow-up to “Thalía,” the singer’s 2003 English-language debut. While that set targeted the English-speaking market (despite a few tracks in Spanish), the plan behind “El Sexto Sentido” is even more ambitious. Although largely recorded in Spanish, the album features English versions of three songs, included to boost Thalía’s career in non-Latin markets around the world.

October 22, 2005

MEXICO’S MULTIFACETED SUPERSTAR HAS THRIVED THROUGH REINVENTION

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Singer, actress, entrepreneur and celebrity, Mexican star Thalia has carved out one of the most successful global Latin careers in memory. The arrival of her new album, “El Sexto Sentido,” is but the latest chapter in the story of a driven starwho does what it takes to get what she wants. Born Thalia Sodi Miranda in Mexico City, she is tile youngest of five sisters, arriving 11 years after her next-oldest sibling. She focused her energies on an artistic career since early childhood.

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She worked under the fierce guardianship and supervision of her mother, who concentrated fully on handling her daughter’s career after Thalia’s father died. By the time she was 15 years old, Thalia was already a member of Timbiriche, at the time the country’s most popular teen band, and a bona fide soap opera starwith a leading role in the country’s most popular TV serial.

Such early success in a country that actively fosters young talent is not as surprising as is Thalia’s remarkable staying power and capacity for reinvention. Thalia’s career has been on a consistent ride upward, punctuated by equally successful forays into the business world.

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Now 34, Thalia is a one-name wonder, associated with music, TV, clothing (the Thalía Sodi Collection, carried by Kmart), a candy line (La Dulcería Thalía, with Hershey’s) and an eyewear collection (with Kenmart), and she says there are other ventures on the horizon.

Thalía’s success even spills into her personal life; she is happily married to renowned music executive Tommy Mottola. During a listening session in Miami for “El Sexto Sentido,” Thalía spoke candidly about her success and what is to come.

Your family is very artistic. In fact you have a sister, Laura Zapata, who is an established actress in Mexico.Where does the inclination come from?

My grandmother always regaled us with her voice. She has a gorgeous voice and would always sing in the house. My mother also sings very well. And Laura was the first to go into singing professionally. She started in dramatic theater and then changed to musical theater. She was in the first production of “Cabaret” in Mexico. And it affected me greatly to see someone I knew-my sister-creating a character and controlling the audience. I fell in love with being backstage seeing her sing and dance. In fact, I had to get good grades in school during the week so my mother would give me permission to see my sister. I was a little girl, and I knew all the dialogue. All the choreography. To this day, I know it..

So, when did you get your professional start?

I actually came out in a TV commercial when I was only a year old. And later, Laura was working on a movie called “La Guerra De Los Pasteles.” She brought me in as an extra. I was 5 years old, and it was my first paycheck. I got $5. And with those five dollars, I went directly to a very famous chocolate store in Mexico, and I spent it all on chocolates. And I liked it. It was a game, but what a sweet reward.

Looking back at .your career, do you ever feel your childhood was taken away from you?

No, because I was always playing. It was play and fun. It’s like little girls who pretend they’re acting, but I had an audience. Reality touched me when I joined Timbiriche and started acting in soaps. The group was already famous, but when I joined, it went on to become the biggest group in South America. It was a phenomenon.

And then, there was your first starring role in the soap opera “Quinceanera.”

It was the first soap [in Mexico] made for young people and starring young people. It was a huge hit. In that moment, I realized this wasn’t a game anymore, where I had fun singing and acting, but that it was about taking care of a career that was just beginning.

Many eyes were on me now. There were expectations. People paying attention. People saying, “This is the new girl. This is the new girl.” When I began to read that, and I saw how big the soap and the group had become, I said, “This is serious.”

For a long time, you were handled by your mother, who had a reputation as being very tough. What was that like?

My mom, from the beginning, followed me because a mother has to take care of her chick, and this chick was very hyperactive. And [performing] somehow calmed me. It calmed me to be on a stage or [in] a competition. And my mom was always with her little daughter. To make sure the big bad wolf wouldn’t eat her. She was always with me. It didn’t matter the looks she got, the comments-that she was a stage mom. She didn’t care.

Do you think the death of your father shaped your artistic future?

It made me a strong woman at a very young age. I’ve always said I have a man’s heart. I’m not intimidated by anyone. I think it’s a role I assumed. My father died, but no one will make fun of me. Because kids make fun of everything. I remember when my dad died, I went to school, and the girls surrounded me and said, “Thalía has no father, Thalía has no father.” And I said, “This will never happen to me again.” In fact, his death had tremendous impact. I may have the image of a sweet artist, but at the same time, I have an image of authority, of “get out of my way, or I’ll run you over.”

In fact, you kept right on moving with your career. How did you go from Timbiriche to being a solo artist?

I resigned from the group. I thanked them for everything they’d done for me, and I went to Los Angeles to study voice and dance. And I signed with Melody Records and released my first album. It was called “Thalía.” People had this image of me as sweet and innocent, and suddenly, I come out with this solo album and a super femme fatale image. I was very dating for the time, singing songs like “Un Pacto Entre Los Dos.” It was the first song I wrote, and many radio stations boycotted it because they said it was sadomasochist. And it bothered them that my image had changed. That was the first blow to my ego, my plans.

How so?

My plan was to release this new album with this new look. “These are my plans, why are you criticizing it?” And well, obviously, it was my first personal low point. I told my mom, “You know what? I want to resign. This is painful. I did this with all my love and the best intentions.” And she sat down, took my hands and said: “Listen, daughter. If you want to resign, we’ll close the door and we’ll take you to study. You like biology; we’ll find the best biology school. Now, if you want to stay with this, you stay, you hang in there, and you not only hang in there, you become the best.” And I said, “Well, I’ll be the best, then.”

You took a break from acting and singing to live and work in Spain for a while. Would you say that a key point in enticing you to go back to soap operas was the opportunity to marry them to your music?

I was thrilled about singing the theme of the soap opera, that it would be heard every evening and that it would be included in my album. I loved the idea that Thalíathe singer was going to be Thalíathe actress.

And that became a winning formula, didn’t it?

The backbone of all the [soap opera] stories was love, impossible love. And all kinds of things happened. One [character] lost a child and found him. The other wanted revenge. The other wanted to help her poor family. The important thing was, my music was attached to everything. In the Philippines, for example, it allowed me to record an album in Tagalog.

Did you ever think about acting in something more “serious”?

Yes. And I signed with the William Morris Agency, and at the time, they sent me many scripts and things that weren’t what I wanted. At the time, it wasn’t important for me to get naked in front of the camera. So I let many important roles go by. On the other hand, I was very busy doing the soaps and my music. Going to the Philippines, Brazil-where they played my music in Spanish, which is very difficult. So, I began to break many barriers with the formula of soaps and music.

People love to stereotype. When I began to sing in the soaps, the reaction was, “Now she sings.” When the fact was, I began my career singing. So, it was hard to reinforce my career as a singer after having opened my way as a soap star.

Do you find that some people look down on the fact that you were a soap star?

I don’t listen to those comments. Having been Thalía performed this summer at the Reventon Super Estrella 2005 concert at Arrowhead Pond in Anaheim, Calif. a soap starworked in two directions. One was positive; the other, I had to shed as a singer. But, it opened an incredible market for me. Everything starts somewhere. People who knew me for my music will follow me as a singer for many years. Mothers play the music for their babies. My audience is a. family audience. So, it’s been a big plus. And I think I handled it well, a

It has been 10 years since your last soap role. Why haven’t you gone back?

It was a perfect cycle, and I want to keep it that way. I’ve taken my crown as the queen of soaps. I have it in my imagination.

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Many other artists have attempted to combine acting in soaps with singing careers, but none have had your level of success or longevity. What is the secret?

It’s been a fan of different lucky charms. One is [my mother] Yolanda Miranda, who told me, “Even if there’s a hurricane, you bend, but you get up again.” The other is having partnered strategically at the right time with producers like Emilio Estefan [Jr.], Kike Santander, Estéfano, Corey Rooney for my English-language album, which is a watershed album for me. And, always, I reinvent myself. That’s what’s important. Reinvent yourself. Allow yourself to be a new person. A new artist.

You live here in the United States full time. But you are still regarded as 100% Latin. How do you maintain your links with Mexico?

I think the mere fact of singing in your own language, interpreting stronger songs, changing with your music and continuously going to your country to promote, to allow yourself to be seen, to allow your people to touch you is important. It’s important that people see you evolve.

You are an entrepreneur as well as a singer and an actress. How do those roles all come together?

All the facets help each other, and it’s a very interesting cross-promotion. In the end, it’s about growing the name and the brand. And it’s important to safeguard [it with] every step I take.

Joining with these big companies has been very important to me. They have been some of the sweetest associations I’ve had. The clothing line, I love. I love creativity and design. I like to be on top of quality control. And because I’m a family artist-like the girl next door-the association with Kmart is popular for me. It means reaching everyone.

Your clothing line, in particular, is very visible and very successful. It is now carried in more than 1,500 Kmarts. How did that come about?

They said, “We’re interested in you, we like the way you are and we want to reflect that in fashion.” And I said, “OK, it can be a reflection of me, but that goes from the 5-year-old girl to the sexy woman in her early 30s. My line has to be all that. Sexy, empowering, comfortable. And it has to fit everyone. So, are we on the same page?” And everyone started to work on that. The proposal came at a very happy, tender time in my life, and that’s how we started to grow.

Your husband, Tommy Mottola, guides you and gives you advice, but your projects are very independent from him as well, aren’t they?

When we met, he was an established icon, but I was too. We met at a special time. He had had his stumbling blocks with love, and so had I. We met, and we clicked immediately.

And from then until now, it’s a relationship of a lot of respect. IfI don’t reach out to him for advice, he doesn’t impose himself. He’s very respectful. And sometimes, he comes to me and says, “Hey, what do you think about this singer?” It’s an exchange of ideas from his experience, which is amazing, and from mine, which comes from the Latin side.

But there is always a line and a place where we talk about work. Where we say, “Tomorrow we’ll talk about work in the office.” I think that mixing bed and business is not a good thing.

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Have you ever turned down his advice?

Of course. A thousand times.

Does he get upset?

He just laughs.

So, who is right?

Many times my intuition wins. I trust my intuition a lot. A lot. And in this life, you have to take risks.

How about another English-language album. Is that in your plans?

Yes, for next year. Right now, my new album is [selling] in Japan. We’re setting up so everything is ready for the English-language album.

You are successful in all these different realms. What is left for you to do?

As long as I can grow with my music and evolve as a singer, writer and producer-if in the future I have the possibility of producing a new artist-as long as I have all those opportunities, my life will have been worth it.

I will have planted a seed. I like to produce, to organize. If in the future I have the opportunity to produce a soap opera or film, I will take it.

You said before that you are always contemplating film roles. Do you have a specific one in mind?

Not a specific one. But I’m always looking. Because I’m an actress. To be a singer, you have to be an a actress. Otherwise, people will 9 say, “What a pretty ballad,” but they won’t feel it.

How would you describe yourselfas a singer, an artist, an actress?

As an artist, because I like to create. I like to write my music, create the sounds I will use in every song. Create the concept of the album. I think I’m an artist. I’m the artist of my life, my career. I’m always giving the best of me in every project.

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Source: Billboard – Leila Cobo
Fotos: Thalia.com

 

Hispanics (including Thalia) wooed

Hispanics (including Thalia) wooed

Sears introduces Latina Life line

Sears, which has posted declining apparel sales for the past four years, is trying to grab a share of the growing Hispanic market with the introduction of clothing aimed at Hispanic women.

Latina Life, which is being created in partnership with Latina magazine, will debut in the fall at 425 Sears stores nationwide. The line is being designed primarily by Jones Apparel Group, the same company that owns Anne Klein and Nine West.

“We expect Latina Life apparel to appeal to a diverse population of fashionable women who are looking for fresh, beautifully designed and well-fitted pieces that can take them affordably from work to weekend,” said Gwen Manto, Sears Holding Corp.  executive vice president and general merchandise manager.

The partnership with Latina, a monthly magazine whose main audience is Hispanic women, will be the first by a major retailer and a Hispanic-focused media partner.

Clothes in the collection will feature sheer mesh tops, fitted pants and camisoles embellished with beading and rhinestones and will be priced between $36 and $79. The brand will expand next spring to include costume jewelry and accessories in bold colors and metallic materials.

The NPD Group, a marketing consulting firm, said Hispanic consumers spent $6.6 billion on apparel last year, up 3.3 percent from the previous year.

“[The Hispanic population is] a huge market that’s been ignored. There is a lot of buying power there,” said Mike Gatti, executive vice president of the Retail Advertising and Marketing Association.

The marketing plan for Latina Life includes in-store signs, seasonal magazine inserts and editorial features.

“This is a step toward making a multimedia company that surrounds Hispanic women. It will be very evident in the stores that Latina Life is tied to the magazine,” said Fabio Freyre, chief executive of Latina Media Ventures.

Mr. Gatti said the addition of Hispanic-influenced clothing lines shows that stores have changed their marketing strategies to take advantage of a growing segment of the population.

Hispanics make up 39.9 million people in the United States, up from 9.4 million in 2000, according to the Census Bureau.

“If one group is more prominent [in the area], stores may change the way they display merchandise,” he said.

Sears is not the only department store to target Hispanics in an attempt to sell merchandise. Sears’ sister store, Kmart, started the Thalia Sodi Collection, designed by Mexican actress-singer Thalia Sodi, in 2003.

Daisy Fuentes, model and former host of MTV’s “House of Fashion,” teamed up with Kohl’s Department Stores in 2003 to begin her own line of clothing and jewelry.

Hispanic customers are a growing segment for Kohl’s as we expand into markets with significant concentrations of [the Latino population],” said Julie Gardner, senior vice president of marketing for Kohl’s.

Even name brand designers are getting in on the act. Perry Ellis International introduced its Cubavera women’s clothing line this spring at select J.C. Penney and Macy’s stores.

Kmart bought Sears, Roebuck & Co. in March for $12.3 billion, forming the Sears Holding Corp., creating the third largest U.S. retailer behind Wal-Mart and Home Depot.

Source: The Washington Times

Tommy Pygmalion Has a New Project

Tommy Pygmalion Has a New Project

New York – October 12, 2003

“EVERY day, I’m in my own vortex of a hurricane. She’s the only thing that can stop that, so that my hurricane doesn’t consume me.”

That was Thomas D. Mottola, the music mogul, talking about Thalia Sodi, the Latina pop idol.

Ms. Sodi can match Mr. Mottola’s flair for the operatic pronouncement, tone for tone. “Being with him is like jumping onto a runaway horse,” she said, turning a liquid gaze in his direction. “You never know where he is going to go.”

Mr. Mottola, it may be recalled, is that New York street kid turned pop music impresario, who in his long reign atop Sony Music Entertainment displayed a gift for shaping raw talent and moxie into polished blockbuster acts. “You know, I am the one who discovered Gloria Estefan,” he said. “I discovered Jennifer Lopez.”

Like the Pygmalion of myth, Mr. Mottola, 54, has sometimes been so dazzled by his own creation that he has fallen in love, most famously with Mariah Carey, whom he married in 1993. During their five-year union, he transformed her from a backup singer into a white-hot hit machine, and the couple built their own 14-bath mansion, Xanadu, in Bedford, N.Y.

In 2000, Mr. Mottola married the Mexican-born Ms. Sodi, who was already a star in the Latino community in the United States and who, at 31, bears more than a passing resemblance to Ms. Carey. Her musical career is handled by Virgin Records, a label Mr. Mottola has no hand in. Yet his wife is very clearly his next big project, and his challenge is to make her a household name while avoiding being overly controlling — a trait Ms. Carey once complained wounded their marriage. To hear Mr. Mottola tell it, Ms. Sodi has the potential to eclipse his many past triumphs — and not incidentally, to help him reinvent himself after his ouster in January from Sony, which had lost many millions of dollars during his last year. “A kid from the Bronx and a girl from Mexico — what could be better?” he said.

“It’s our shared vision to have a really broad brand in all categories,” he added.

Last summer, he engineered a deal for Ms. Sodi to produce a line of clothing, accessories and home products in 335 Kmart stores. The collection, which bears Ms. Sodi’s sexy, vibrantly colorful imprint — sparkly logos, Aztec symbols and other south-of-the-border imagery on skinny T-shirts and the like — is just the latest to put the name of a pop star on clothes. (Eve and Gwen Stefani are two others.)

Next February, Thalia, a monthly magazine, is planned to arrive on newsstands, published by American Media, which owns The Star, The National Enquirer and a roster of titles aimed at the Hispanic market. Ms. Sodi will top its masthead as editor in chief, Mr. Mottola as creative director. “I don’t know Thalia,” said David Pecker, the chief executive of American Media. “But I have great faith in Tommy as a businessman who knows how to market a celebrity better than anybody and how to promote a magazine in other forms of media.”

Evidently intent on following the model of Ms. Lopez, whose first fragrance, Glow, is a mass market hit, Mr. Mottola and his bride have also developed a perfume to be sold at Kmart, Thalia, its packaging highlighted by an imprint of Ms. Sodi’s pillowy lips. “It’s a work of art, like a Dali piece,” Mr. Mottola said as they sat in a conference room in Midtown. Mr. Mottola declared,”We’re going to make Thalia the Hispanic Martha Stewart.”

Why not? Mr. Mottola is, after all, the man who plucked Ms. Carey from obscurity after listening to a demonstration tape that Ms. Carey, then an 18-year-old waitress, slipped him at a party. He provided musical guidance and also helped choose her skirts and lipsticks.

Eventually, the marriage soured. Ms. Carey later said she found her relationship with Mr. Mottola, 20 years her senior, confining, if not downright oppressive. In an interview with Barbara Walters six months after the divorce, Ms. Carey, then still under contract to Sony, charged Mr. Mottola with concealing film offers from her, adding that he was so overbearing she feared to venture out with friends at night, lest she incur his wrath. Mr. Mottola, who discredited her claims at the time, declined to comment on this chapter in his life.

Mr. Mottola’s latest storm was his dismissal from Sony amid reports of strained relations with Howard Stringer, chief of the Sony Corporation of America, and other music division executives who were said to have balked at his extravagant spending and his maverick management style. His departure in January after 14 years with the company fueled speculation that his career had plunged into an irreversible decline.

But Doug Morris, the chairman and chief executive of the Universal Music Group, and an old friend of Mr. Mottola’s, rescued him, asking him to revive the Casablanca label at Universal. Mr. Mottola seized the chance.

He promotes his wife as one poised on the cusp of megastardom, needing only a bit of grit (hers) and a sprinkling of diva dust (his) to become a household name — at least in the realm of style. If hip-hop music could permeate fashion and pop culture, why shouldn’t Thalia’s Latin-flavored rhythms do the same, Mr. Mottola asked. “She’ll become the new young fashion out there,” he predicted with some heat.

Such fervor fuels the popular image of Mr. Mottola as a puppet master pulling the strings of young pop stars or, in a darker view, turning those he loves and weds into bankable commodities.

“He is like a director who looks through the lens of the camera,” said Benny Medina, who managed Ms. Lopez, working closely with Mr. Mottola at Sony. “Ofttimes the muse on the other side becomes the object of his affection.”

But others say that the notion of Mr. Mottola as overly controlling is an exaggeration.

“There is no Svengali thing here,” Mr. Morris of Universal insisted. Mr. Mottola does not conflate his personal and professional passions, he said. “Tommy wasn’t married to Celine Dion or Shakira,” he said, referring to other acts he guided. As for rumors that he dated Ms. Lopez while grooming her for stardom, “I know those to be untrue,” Mr. Morris said crisply.

Rene Angelil, Ms. Dion’s husband and manager, who worked closely with Mr. Mottola after she signed with Sony, called Mr. Mottola passionate, “but passion is part of the business,” he added. “Sure we talked about her music, and we talked about image — as a friend and colleague, you talk about a lot of those things, and you don’t necessarily always agree.”

“With us, it was a very sane relationship,” he said.

A former Sony colleague who worked with Mr. Mottola day to day recalled him as often irascible, his character stormy and riddled with complexities. “But I don’t think this is a man who finds these women and needs to exploit them,” the former colleague said. “He seems very respectful of Thalia and probably wants to do the right thing. Does that mean he will sit back with his hands folded,waiting for other people to make the creative decisions? I don’t think so. It’s in his nature to be involved.”

Especially where image is concerned. Posing for a photograph for this article, Mr. Mottola told a photographer sharply, “I don’t want to be shot leaning back, slumping.” Then he seemed to catch himself. “We don’t want to tell you how to conduct your business,” he told the photographer, coloring slightly. “But this is our business,” he added, drawing an arm around his wife. “We’ve been doing this a long time.”

Perhaps Mr. Mottola has mellowed. “Was he controlling?” Mr. Morris said. “If people say so. If so, he paid the price. Probably he learned from his past.”

If Ms. Sodi is to become a star on the order of Ms. Carey, Ms. Lopez or Ms. Dion, she must show more success in the one area that Mr. Mottola does not control — her recording career. She has yet to conquer the charts as a crossover artist. Her first English-language CD, “Thalia,” released by Virgin in July, is No. 148 on the Billboard Top 200 chart. A single, “I Want You,” briefly inhabited the top 10.

Her slow ascent has prompted some to suggest that in pushing Thalia, the brand, Mr. Mottola has placed the cart before the horse. “In Thalia, Tommy sees someone very much like his other artists — beautiful, obviously poised, definitely with some talent, and to him that is enough,” said Craig Marks, the editor of Blender, a music magazine. “Unfortunately, in branding, to conquer the field you need to start with the music. Then you sell the bedsheets, the magazines and the perfumes.”

Mr. Mottola waved off the concerns. Ms. Sodi’s stardom in a series of soap operas on Univision, the leading Spanish-language television network, has given her a solid platfrom, he said. “She’s been in the homes of many American families for many years,” he said. “She’s ingrained in their lives, and that makes all the difference.”

Virgin is sanguine about Ms. Sodi’s future. “There is incredible promise,” said Hillary Shaev, the company’s head of promotions. Ms. Sodi’s best-selling Spanish album, “Amor a la Mexicana,” has sold 1.3 million copies worldwide since 1997. “But every artist is a gamble,” Ms. Shaev conceded. “We’re just at the beginning of this project. Our hope is that the second single takes her to the next level.” Last month, Virgin released the single “Baby, I’m in Love,” a pop song with a rock element.

No fragile ingenue, Ms. Sodi has performed in her homeland since the age of 8, engineering a career trajectory that has taken her from lead singer of a hit Latin teenage group to fame as an actress. At 17, she appeared in her first telenovela, or soap opera. In the next two months, she will beam her charms to non-Hispanic viewers of “Tonight” and the Ellen DeGeneres show, a publicist for Ms. Sodi said.

Encased in a tight-fitting T-shirt and jeans, smiling with a practiced effervescence, Ms. Sodi does not strike one as putty in anyone’s hands. “I did not arrive in this country with a tape in my head, saying, ‘Make me famous, make me famous,’ ” she said, darting a glance at her husband.

His hand clasped in hers, she pointed out that she began her first apparel venture, a lingerie line, more than a decade ago in Mexico City.

Toward Mr. Mottola, however, she shows an unswerving consistency, reaching for his hand and punctuating their conversation with endearments. He seems to thrive on the display, flushing at one point as she gazed into his eyes and murmured, “Mi vida.”

His current wife has acted on him like a tonic, Mr. Medina observed. Regardless of the tempest thathas swirled around him in the past, “he has seemed so happy since they came together,” Mr. Medina said. “There is no doubt he seems younger and hotter. There’s a new pep in his step.”

Silver Threads Amid Gold Albums

Thalia Sodi is just the latest pop star to have fashioned a sideline as a designer, with big hopes of extending the brand. Here are some others intent on trading on their fame to sell everything from high heels to hand towels.

Source: The New York Times http://www.nytimes.com/2003/10/12/style/tommy-pygmalion-has-a-new-project.html?pagewanted=all